💰 MKE Music Rewind: Casino Versus Japan, "It's Very Sunny"

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Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Kowalski a United States-based musician who works in electronic music.


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Erik Kowalski makes up for lost time with his first Casino Versus Japan album in six years.


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Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Kowalski a United States-based musician who works in electronic music.


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Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Kowalski a United States-based musician who works in electronic music.


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A friend of mine and through feedback from other people, I decided that I would do it. I just do it. To be able to attach audio to a visual, to me would be really cool, and to work with somebody on that and not have it be all me. Anyway I heard from him via Bandcamp. Is this why you are also not promoting through the digital medium? I guess with tape format you can have minutes per side, so there is ample space for the tracks. I am very secure in what I do and I feel confident in it. Yes music has always been a nostalgia vehicle for me, which is one of the reasons why I have this ability to separate nostalgia from what is good and bad. If you are using a cassette player then it changes the way you relate to the listening experience via the medium. He lives in Japan and he makes a lot of gorgeous and very drifty ambient music. I appreciate the feedback, good or bad, as it is always nice when I get to hear from people because I take that very seriously and it is a big part of my life. If I want to talk to somebody in person or on the phone. Although Basinski is more into using old archive stuff from years ago. During the time that I was in Kentucky, especially for a 5 year period where most of this was recorded I was having really bad issues with anxiety and depression and other bad self-destructive behaviours, so this was a way to escape that and a lot of the music reminds me of that time. It usually comes after repeat listens or if the song has a certain mood or a phrase or if certain words come to mind. Your choice for this album is a self-release via Bandcamp, as opposed to a record label — how did you come to this decision to follow this method for distribution? Mood and emotional things I am attracted to. Mostly in the evening. I am more turned off from it. The production end of the music to me is just filling it in. Yeah I moved from Kentucky to Wisconsin last summer as my wife got her doctorate. There is this over riding sense of selfishness when it is all about me, me, and me. I appreciate that; it is something that I do not take for granted. By not having social profiles it aids to the sense of mystique behind the author. Being in an environment with four seasons it became a part of the music. I have had a few messages from artists that I have admired for years and I immediately lost my mind! If it were on vinyl then it would be insanely expensive with money that could be used elsewhere. No, I would like to though. So I got a job in Kentucky working in healthcare, I did that for four years, I learned a lot about health care and working with patients in general. I could over think and over discuss what it means to make music, but as far as translating that, it is more about capturing a feeling and something to do with the past, not the future. Starting as a kid I was really into the soundtrack to Miami Vice. My experience of Bandcamp has been interesting because when you buy something on it, the artist sometimes has the opportunity to drop a message. But these are all things that I felt were strong enough for me to release. If I feel that it fits then I will attach it. Of my god it would have been ridiculous. Expectations are one thing, to me I feel like it exists on its own.

If you thought that Boards Of Canada was everything… think again. This culture of sharing to me is too much for me. Exactly, you can push it an hour a side but you run the risk of it breaking or sounding bad. Are the shorter track simply experiments? It actually started out innocently enough as a record.

There is of course a lot of stuff that would not make it on. You go back after you have put it together and then have this loose wordplay with connecting to the audio. The community is so much closer and well connected since 25 years ago. Are there any tracks titles that stand out to you or are connected to a particular time?

It starts this little connection with these artists that I have listened to so closely to, so it is definitely a change from me being young and growing up.

Do you think of music everyday or do you have particular periods when you focus on it? I have a regular day job outside of music that I do to have an income. Sometimes it would just happen to be a minute; it is as if casino versus japan gear had done all that it could, within that moment.

Is this your first ever interview about Casino Versus Japan? A lot of the loops file names were the dates I had recorded on. If I have survived to this point of time, being such an unsettled person, fearful casino versus japan gear the future and coming to grips with it, that it is more comfortable for me to embrace the past.

I feel like that it is very subjective because what one person finds profound and influential link meaningful is the opposite to other people. But as far as creating music it is always something that I am involved with.

I was really surprised when I received the promo about your new track album. It exists on a different plane than a regular release does. I really like his more classical tape loops, kind of like casino versus japan gear the William Basinski school. Electronic music and space themes is not new and there is nothing ground-breaking about it, but in my world you take little things from life and you make them your own.

Yeah, when I first started to record them it just kept growing. It occupies most of my time. Not on a care aspect but on the office side. That came up over time and this project was one of those projects that I completely over thought. After a while I felt like I was coming up with these ideas and they were casino versus japan gear up.

Yeah, thank you for saying that. I moved here, took 10 months off to work on music and then I pretty much ran out casino versus japan gear money so I had to get a paying job. That to me is more personal. I just thought that this would be a good way to say…yeah I do still make music and it is my life.

Have artists contacted you on Bandcamp about your new album? If you do something creative with it then great. But my way of working over this period was to come up with the melody that I liked.

You can pack a lot of music onto it and it is a lot cheaper to manufacture, than vinyl for sure and even CDs. I am a night owl; my schedule can tend towards the late hours so I do tend to work more at night than during the day.

Did you grow up in awe of NASA and astronomy? It is this constant capturing of ideas. Hi Erik, thank you for taking the time to speak to me. I am very shy about it and feel like I would have to justify something.

He releases a lot of casino versus japan gear he probably has about a hundred records out. You can also just let it run. Lately I have found https://tagpol.ru/casino/il-casino-apartments-wellington.html I have more time at night.

Why has it been so long to release new music? The concept of music being vacuous always bothers me. I just liked that style of carrying melody with imagery.

It was whatever inspired me, I would plug in the guitar and start playing and if I felt like I had found something that I liked then I would record it. It would go from a minute thing to a minute thing. There was no set out plan. Once you get experience in that it is pretty easy to get a job, as there is demand. My first thought was that I would kill to do a soundtrack like this! I can listen back and think of when I recorded it…at December at night when it was snowing, or this is the one I recorded back in July when it was early afternoon and 98 degrees outside…you know. I was 11 back then, very impressionable at that time. Are you familiar with Will Long? I am a consumer and fan as well and if I ever get the chance to talk to any artists that are influential in my life then I reach out to them. On the consumer side I listen to so much music, I collect, write music and I have worked in record shops for over a quarter of a century. If someone emails me then I definitely email him or her back. Space is a big theme that runs throughout your work, especially the artwork. I never really fancied myself as one who is good with naming or coming up with song titles. So it all depends. Releasing a track guitar loop collection on cassette that I feel sets it up. When I see something it is very flattering, but sometimes it makes me feel uncomfortable. I am a very emotional person and I feel that I am haunted, so a lot of stuff I do is a reflection of that.